Surely the only podcast on this game that delves into Shigeru Miyamoto’s reflections after the Sandy Hook massacre.
Two divine beasts down, two more to go. Could we play this game forever? Also, some E3 ranting.
Is the new “Zelda” being graded on a curve? Or is JJ playing it wrong? Can you even play it wrong? Does it matter that there isn’t much of a story? Will Chris ever stop bringing up “Horizon: Zero Dawn”?
At last, we have new Nintendo consoles. Our playthrough of “Breath of the Wild” begins, followed by a spoilercast on the end of Arkane’s “Prey.”
We started Nintendo’s latest masterpiece on the Wii U instead of the Switch, and then rebuilt our finicky VR setups for Epic’s free Oculus Touch shooter. Plus, what game did Chris give up for Lent?
Impressions of the Nintendo Switch after playing with it during its reveal event in New York City. Plus, why does “The Legend of Zelda: Breath of the Wild” put jump on the same button as “The Last Guardian”? And the first reality TV show from Shall We Studios.
What happens when a podcast rant about Nintendo turns into a New York Times op-ed. Plus, comparing PlayStation Move and Oculus Touch while playing “I Expect You to Die,” Schell Games’ VR spy puzzler.
Is Mario’s first iPhone game–and JJ’s first Mario game (!!!)–brilliant, despicable, or both? Plus, our apparently annual review of a new “Star Wars” movie.
On setting up an HTC Vive Pre, playing the VR adventure game “The Gallery: Call of the Starseed,” and crawling around on the floor while playing “Unseen Diplomacy.” Then (at 24:00), why the best thing about Nintendo’s “Miitomo” mobile app is that it got us playing Supercell’s “Clash Royale.”
Kotaku reporter Patrick Klepek talks with Chris and JJ about his reporting on Alison Rapp, a Nintendo employee who was fired for moonlighting, according to the company. Rapp also was the target of a sustained campaign of online harassment. Was she a victim of the video-game culture wars?
Then (at 28:51), we have a spoiler-y discussion of Episode 3 of “Life Is Strange,” followed by a toe-dip (at 39:26) into our progress in “The Witcher 3.”